
We have a red day in Iceland tomorrow. Well some do, I have a glittery, purple, silvery, navy blue, dark-grey day.
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The Norwegian government supports many of Iceland’s arguments in the case of the EFTA Surveillance Authority (ESA) against Iceland in the Icesave dispute, which is currently before the EFTA Court, in their written remarks to the court.
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Click on the picture to watch an audio slideshow of the lambing season at Brimnes, a farm in the north of Iceland, in April 2008. Sheep farmer Arnar Gústafsson and his girlfriend Edda Björk take shifts watching over the nearly 300 ewes and helping them give birth 24/7 for about two months or until the last lamb is born. In Iceland, the arrival of lambs is synonymous with the arrival of summer. The lambing season is currently at its height.
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Located just 40 minutes by car and six minutes from Keflavík International Airport, Sandgerdi (“Sandy Hedge”) is a growing town of 1,700 with a storied history and loads to see. Read this special promotion about the hidden secrets of one of Iceland's most charming seaside villages.
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Welcome to Iceland Review Online's review section. Guest contributors and staff writers will provide you with a new review every Monday about a current art exhibition, a new Icelandic film, an album recently released by an Icelandic band or a new Icelandic novel likely to be published abroad. Please email any comments you might have to the web editor: eyglo@icelandreview.com.
It’s a two for one special this month: I’ve been listening to two of Svavar Knútur’s albums, Kvöldvaka (“Campfire Songs”) and Amma (“Grandma”).
Svavar Knútur comes from the isolated and bleak West Fjords and you can hear it his music. I’m not saying it’s depressing but rather that there’s a kind of redemption in honest music like this. What is it about troubadours that people love so much, I wonder?
This question lays the foundation for my listening to these two albums because this isn’t usually the kind of music I am drawn to.
Icelandic music gets a lot of attention and I think Icelandic musicians also play up to the quirky weirdness of our country with fun costumes and wildness. I love it. But this is not what Svavar Knútur’s music conjures up in me.
There aren’t a lot of instruments involved in these albums and there is zero glitz, this man is not the polished product of a record label, in fact he sort of looks like the type who might not even recognize a razor if he saw one. This is perhaps why I find Svavar Knútur’s albums so charming.
It’s simple, unpretentious and the lyricism is touching and authentic. Here’s an example of some lyrics from the song “It’s Your Life” that I found very special.
I won’t attempt to save you, I won’t attempt to drag you from your fate
I only hope you’ll call on me before you sink too deep and it’s too late
No bullshit, no drama, how wonderful!
Meanwhile his voice is warm, sweet and light, a bit like whipped cream melting on a hot pie.
As for his cover album Amma, it’s hard not to like it as an Icelandic person, because it brings up all these memories of spending afternoons in your grandmother’s house with the smell of burnt coffee and sugared pancakes. On it you’ll struggle to hear more than a guitar, a ukulele (my new favorite instrument) and maybe a piano.
Kvöldvaka is older, came out in 2009 in fact, and also has a few English-speaking tracks whereas Amma (2010), a tribute to his grandmother and Icelandic folk music, is all in Icelandic.
Both are a little slow-paced; I would have liked perhaps a few more upbeat songs if only because there’s a danger of boredom.
The cover art of both albums nearly put me off as well; it doesn’t make the albums very attractive (although it is a little cute that the illustrations were made by Svavar Knútur’s daughter) but the substance of the music makes up for that a lot.
Don’t judge a book by its cover as our grandmothers tell us.
Amma and Kvöldvaka are may be purchased from gogoyoko.com as well as all respectable Icelandic record shops.
Nanna Árnadóttir – nanna.arnadottir@gmail.com
Nanna Árnadóttir is a writer by day, musical garbage disposal by night. All kinds of musical genres are consumed and processed in her mind. Although she is an avid hip-hop head she likes all music that is passionate, beautiful and honest. She has a special interest in the sonic fruits of her native country.
The current issue of the quarterly magazine Iceland Review includes interviews with fashion photographer Saga Sig and conceptual artist Rúrí. Also, we take you to Grímsstaðir á Fjöllum, that desolate land coveted by a Chinese tycoon, and also explore Icelandic archeological remains. We discuss the Icelandic Church, the flourishing gaming industry, debate the future of Iceland’s energy resources and interview the president of the Icelandic National League of North America. Subscribe now and receive a free photo book by IR’s editor Páll Stefánsson of the Eyjafjallajökull eruptions. Click here to subscribe to the magazine and here to buy a gift subscription.
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Shedding light on Iceland’s thousand-year history, as manifested in remains ranging from Viking graves to enchanted sites, Mannvist is a fundamental piece of writing. Ásta Andrésdóttir met with its author, archaeologist Birna Lárusdóttir.
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“The House Project” currently on display in Hafnarborg, the Hafnarfjörður Centre of Culture and Fine Art, is a new artwork by Hreinn Friðfinnsson consisting of a photography series of the three houses. His work is described as “a poetic and philosophical exploration of every day human experience.”
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